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The Shop Collections
Documentation and reflections on the project that took over three disused shop spaces in Sharrow, Sheffield. Started in 2002, the project continues around the country to this day.
Public 53: Mega-Event Cities
Leading scholars, artists, and activists examine the role of the arts in articulating the social agendas of urban mega-events like Olympic Games and World Expos.
Theatre and the Digital
Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.
Manual For Possible Projects On The Horizon
Documentation from the event which invites participants to talk openly about ideas of ‘social responsibility’ in regards to collaborative making and to collectively question the role of contemporary artists within opposing cultures of resilience, resistance and regeneration.
The Peterlee Project 1976-1977
Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.
Wend Iwade
Publication on the project which saw the artist working with the residents of Iwade from July 2015 to explore the village’s changing identity in the flux of the new build development. The project included workshops, residencies and live events hosted by artists, musicians and archeologists.
Performance and the City
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Lifeguard
Immersive theatrical experience exploring the complex and ambiguous relationship with water. In collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton.
18 October 2012 at Govanhill Baths. 52 minutes.
No Olho da Rua
Since 1995 this independent project has offered ‘street children’ the chance to express themselves through photography, writing and interviews. This publication contains examples of the work created.
No Tail
Artist Ruth Ewan invited Strood residents to share their skills and knowledge of the town’s heritage, hidden stories, myths past and present, to be weaved into a subversive pantomime for the town. This performance programme includes the full script, invited writings and local archive material.
Performed on 22nd December 2015.
