Catalogue > By Keyword > body art
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Kontejner: Curatorial Perspectives on the Body, Science and Technology
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
Body Art / Performing The Subject
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Franko B
three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Horseplay
Presented at The Firkin Crane in association with The Art Trail Festival, Cork City.
The Railway Station
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics 7th October 3:00-7:30pm Toynbee Studios. The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.' Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared? This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
I Still Love
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Talking Heads Screening Programme
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
No Retreat, No Surrender
Visions of Excess
Event curated by Ron Athey and Lee Adams.
