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Pacific Standard Time – Collection
Pacific Standard Time is the culmination of a long-term Getty Research Institute initiative that focuses on postwar art in Los Angeles. Through archival acquisitions, oral history interviews, public programming, exhibitions, and publications, the Research Institute is responding to the need to locate, collect, document, and preserve the art historical record of this period. This is a small collection of mixed printed material from related events.
Memory
Anthology surveying the phenomena of invocation and activation of memory, as well as active forgetting. Documents of Contemporary Art series.
Art, Live and Videotape
Four performance artists meet to consider the use of video in their work and their relationship to the medium. Can be found in Miscellaneous folder number 3
Living as Form : Socially engaged art from 1991 - 2011
Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.
Performing Remains
Explores the role of the fake, the false and the faux in contemporary performance and investigates the aesthetic and political potential of re-enactments.
Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears.
Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the “America” plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramović and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the “original”.
Beginningless Thought/Endless Seeing
A fully illustrated colour catalogue documenting the 2009 retrospective exhibition of the artist Stuart Sherman.
Presence-Absence Polarity Destabilised
Article discussing the publication Perform, Repeat, Record by Amelia Jones and Adrian Heathfield. This edition can be found in the RealTime magazine file. perform repeat record is also available in the study room. Ref number: P1813
Benevolent Asylum : An Eclipse of Historical Fiction
Visual and textual context for the exhibition and Take Me In performance which took place at the Freemantle Arts Centre.
Atos de Falo documentation
Catalogue which documents construction of works and relevant texts from the Atos de Falo festival in Brazil. In Portuguese and English
The Continuum: Beyond the Killing Fields
A performance script based on the life stories of Cambodian artists who survived the Khmer Rouge Regime.
