An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Traces the origins and development of the Japanese form of dance theatre.
A cinematic interpretation of the performances of Anet van de Elzen.
65 mins.
Captures a series of remarkable collaborative art works instigated by visual artist Janine Antoni, in alliance with preeminent dance-maker and community activist Anna Halprin and pioneer choreographer Stephen Petronio.
Documentation (Power Point) from the DIY 12 project, a developmental exercise exploring the concept of returning to what one understands as “home”
Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.
Part of the Library of Performing Rights (LPR) (P3041).
Devised as part of The End Product for Collective in Edinburgh to conclude and commodify the series of LIVE Broadcasts Harrison made over the course of a year. It features Transmission: Glasgow to London (December 2010), UK Weather Report (April 2011), Personal Political Broadcast (May 2011) and Best of the Rest (November 2011).
Part of Know How: A Study Room Guide on Live Art and working with older individuals and communities (P3140).
The report looks at the history of the movement and puts it in a policy context; 120 case studies of organisations were identified and numerous examples of all art forms; especially dance, drama, music, singing and the visual arts.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
A critical approach towards images of identity and femininity currently circulating in Japanese popular culture.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)