A collection of contemporary food writing by a star cast of authors, including Nigella Lawson, Anthony Bourdain, Jane Grigson, Umberto Eco, Alice Walker, and Isabel Allende.
| Editor | Bonnie Marranca |
|---|---|
| Publisher | Gerald Duckworth & Co |
| ISBN | 978-0715632680 |
| Reference | P2978 |
| Date | 2003 |
| Type | Publication |
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
4 mins.
Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
A companion book to the performance by Once We Were Island.
A book on the photography of Raymond, who documented performance art in Boston for thirty years until his untimely death in 2012.
Examines fandom as a set of practices for approaching and writing about art.