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B Is for Blood: Nastja Säde Rönkkö in Conversation With Gemma Rolls-Bentley

‘B is for blood in our veins, blood in our belly, between our legs, the flow of life within.’ – from Survival Guide for a Post-Apocalyptic Child

Survival Guide for a Post-Apocalyptic Child is a multidisciplinary project by award-winning video artist Nastja Säde Rönkkö, employing video, sculpture, text and workshops to explore strategies of survival in a world of contiguous crises.

Join us for an evening with Nastja Säde Rönkkö in conversation with Gemma Rolls-Bentley, discussing Nastja’s artistic journey from Live Art to film, and the visceral language of their work. A selection of short videos from Survival Guide for a Post-Apocalyptic Child will be screened during the event, followed by audience questions and discussion.

This event takes place as part of the University for the Creative Arts’ curatorial programme and is a prelude to the Survival Guide for a Post-Apocalyptic Child exhibition at Fort Burgoyne in Dover. The exhibition is supported by the Finnish Institute in the UK and Ireland, Arts Council England, and Frame Finland.

Survival Guide for a Post-Apocalyptic Child (2022) is a topical and poetic survival guide for the future. It consists of 26 HD videos. The project imagines the future of our planet amid impending crises and climate anxiety, proposing how we might go about surviving it. Based on 26 poetic texts, the guide reflects and dreams up ways to live the physical, psychological and emotional changes we are going through. Each video starts with a set of words beginning with a particular letter of the alphabet. The texts vary from concrete survival information, such as advice on nutrition or medicine, to how to survive a heartbreak or a zombie apocalypse.

Survival Guide for a Post-Apocalyptic Child was commissioned and produced by Lönnström Art Museum and HAM Helsinki and co-Produced by the Finnish Cultural Institute in Madrid.

Biographies

Nastja Säde Rönkkö is an artist working with video, performance, installation and text. Her projects investigate the relationship between the digital era, power, humanity and the future of our planet. She is particularly fascinated with how concepts such as love, slowness, or affection can be silent yet radical ways to be and act in the world. Her practice dreams about the future and explores presence through politics and poetics of emotion. Rönkkö has exhibited and performed internationally, with recent exhibitions at Somerset House, London and the Louisiana Museum, Denmark. She is the recipient of the Below Zero Art Prize (2023).

Gemma Rolls-Bentley has been at the forefront of contemporary art for almost two decades, working passionately to champion diversity in the field. Her debut book Queer Art; From Canvas to Club and the Spaces Between was published in Spring 2024 by Frances Lincoln and has been highlighted as a must-read by Them, Dazed, Timeout, The Guardian, Cultured and the FT. Gemma’s curatorial practice amplifies the work of female and queer artists and provides a platform for art that explores LGBTQIA+ identity. She has curated for a range of international galleries and institutions and has taught at numerous institutions.

Arly Bean is a curator and producer specialising in queer performance, installation and design. Their practice focuses on the intersections of art and ecology and supporting neurodivergent artists to thrive. They are the co-founder and former co-director of ]performance s p a c e [ and currently work as the Galleries Curator for University for the Creative Arts.

Finnish Institute in the UK and Ireland supports the internationalisation of Finnish and Finland-based artists, researchers and social actors. As the leading expert on Finnish culture and society, the Institute enables societal change through art and culture, empowering diverse perspectives and fostering a more inclusive cultural landscape for all. Founded in 1991, the Institute is a non-profit, private foundation funded by the Finnish Ministry of Education and Culture.

Access Information

Event information:
This is a seated event. Various seating options will be available including fold out chairs, office chairs, a sofa and a bench. All are welcome to join in a relaxed space and are free to come and go as they please. The lighting will be fixed with no sudden changes and microphone amplification will be used. There are disposable masks and hand sanitiser available. Please be aware that the event will be audio recorded.

LADA space:
The building is wheelchair accessible by lift and provides a wheelchair accessible ground-floor bathroom. All bathrooms are gender inclusive. There is no isolated quiet space inside, but there is a small quiet outdoor area. Some of the art on display in the space includes naked bodies. You can find more information and see photos of the space here. Should you have any particular access requirements, please email [email protected] and we will be happy to offer further support.

Content notes:
Please note that the videos may refer to or feature imagery of blood, death, dead animals, suicide, violence, and sex. The discussion might touch on these themes as well. Please email Willy if you would like more information on what to expect.

Banner image credit:

Nastja Säde Rönkkö, Survival Guide for a Post-Apocalyptic Child (2022). Still from video.

 

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