FANON Now: Jamila Johnson Small – documentation

Notes

Contribution by Jamila Johnson Small for FANON Now – on the legacy of Mirage: Enigmas Of Race, Difference & Desire. The event brought together David A Bailey, artists from the original Mirage project, and artists from subsequent generations, to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.

Artist / Author Jamila Johnson Small
Digital Ref EF5174
Date 2015
Type Digital File

Keywords

Similar items

REVIEW - On Shared Resources : Performance studies publications from a pandemic

Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Project Nationalism and Theatre in Contemporary India

Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire

Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island

Artist/Author: Melissa Poll | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0908 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Re Wild(e)ing Queer Performance

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

"DRESS UP AND WE LOVE YOU" AN AUTOETHNOGRAPHIC EXPLORATION OF QUEER PERFORMANCE CLUB BAR WOTEVER

Artist/Author: Vikki Chalkin | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0904 | Type: Article

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Common Salt

Artist/Author: Sheila Ghelani, Sue Palmer | Editor: Sheila Ghelani, Sue Palmer | Reference: P4209 | ISBN: 978183802296 | Type: Publication

Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.

In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.

This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.

Common Salt is designed by John Hunter (aka RULER) and published by LADA.