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Artist / Author | Datong Dazhang |
---|---|
Publisher | Wen Pulin Archive of Chinese Avant-Garde Art/Wall Art Museum |
Reference | P1358 |
Date | 2008 |
Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Examines fandom as a set of practices for approaching and writing about art.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
An attempt to recollect the events of racist aggression against the Chinese and Japanese immigrants on 7 September, 1907, that were long obliterated from the collective memory by the sanctioned ignorance of history.
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of the relationship between location and place and genre innovations in Hong Kong cinema.
Conference proceedings from the International Performance Art Event in Singapore 2008.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Publication for the first international performance art festival in China in 2000 with documentation and artist profiles.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).