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Complicating Authorship : Contemporary artists’ names

Notes

Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.

Artist / Author Nicola McCartney
Editor Konstantina Georgelou & Janez Janša
Publisher Routledge
Reference A0774
Date 2017
Journal Performance Research
Journal date July / August 2017
Journal page 62-71
Type Article

Keywords

art market artivism authorship collectivity economy feminism feminist art funding intellectual property money politics

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