Catalogue > By Keyword > site specific
267 results | Page 6 of 27
Sudden as a Massacre
Clip of a site-specific installation, video, and performance-based project. In a private performance for the camera, a quintet of women will tear apart an enormous cube comprising more than5,050 pounds of wet clay. As the block disappears, the space will be covered in the evidence of action.
DIY 11: 2014 - ‘Chances Are’ Mail Art Collection
A disparate collection of ‘chance’ materials and objects assembled and curated via post by the participants with the artist Anne Bean. Part of the DIY 11 collaborative project using chance device as a means for intuition and creation. Loose materials in large black folder.
Portfolio
Portfolio of images of the artistic work accompished by the duo over the last two decades.
In Pursuit of Pleasure
Documentation of durational performance considerng acts of political whitewashing. Performed as part of LABOUR (2012): a touring exhibition of Live Art, featuring eleven leading female artists who are resident within, or native to, Northern and Southern Ireland.
This Sea Is Mine
Booklet of site specific live performance that explores the concepts of access to the sea and public space in the city through Beirut’s seafront.
Emma Smith
Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.
Sideways
Itinerary map of Sideways festival organised as a 4 week expedition through Belgium, from West to East, between August 17th and September 17th 2012.
Half Life
Publication documenting a series of ambitious large-scale public artworks by the environmental arts organisation NVA. This item is part of the Study Room Guide to Remoteness (P2600).
Diaspora, Memory, Place: David Hammons, Maria Magdalena Campos-Pons, Pamela Z
An indepth analysis of the work of three significant African diaspora artists – David Hammons, Maria Magdalena Campos-Pons and Pamela Z – with essays examining site specific installations and peformances concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art
Performing presence: Between the live and the simulated
Poses questions over the nature of action, identity and the self in the relationship with media forms.
