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Anna Birch archive

Reference: P2992 | Type: Publication

Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.

The Pennine Way: The Legs That Made Us

Editor: Tamara Ashley and Simone Kenyon | Reference: P2973 | ISBN: 9780954907310 | Type: Publication

In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.

Performance and the City

Editor: Kim Solga, Shelley Orr, D. J. Hopkins | Reference: P2954 | ISBN: 978-0230300491 | Type: Publication

Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.

Interview with Rose English about ‘Berlin’

Artist/Author: Lynn McRitchie | Reference: A0657 | Type: Article

Includes performance description. From Centerfold.

Found in miscellaneous article folder #5B

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Review of ‘Mounting’

Artist/Author: Lynn McRitchie | Reference: A0656 | Type: Article

From New Dance.

Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Ana Mendieta: A Book of Works

Editor: Bonnie Clearwater | Reference: P2905 | ISBN: 978-0962851445 | Type: Publication

A book of photo etchings of Mendieta’s Rupestrian Sculptures.

Immersive Theatres: Intimacy and Immediacy in Contemporary Performance

Artist/Author: Josephine Machon | Reference: P2866 | ISBN: 978-1137019837 | Type: Publication

Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.

The Future Show

Artist/Author: Deborah Pearson | Reference: P2808 | ISBN: 978-1783192953 | Type: Publication

The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.

Paul Bright’s Confessions of a Justified Sinner

Artist/Author: Untitled Projects | Reference: P2789 | ISBN: 978-1783199495 | Type: Publication

In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.

State of Mind: New California Art circa 1970

Artist/Author: Constance M. Lewallen and Karen Moss | Reference: P2786 | ISBN: 978-0520270619 | Type: Publication

This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.

Embodied Places: Performance Practices in Public Space

Artist/Author: Nathalie Fari, et al. | Reference: P2730 | ISBN: 978-3-00-049454-3 | Type: Publication

This catalogue explores different artistic strategies, notions and formats for developing performances in public space, using specific sites in Berlin as platforms to “embody” the city. Featured authors/artists: Bettina Wagner, Dovrat Meron, Grasiele Sousa & Lucio Agra, Michaela Muchina, Nathalie Fari, Paula Hildebrandt 

Unsustainable Acts of Love and Resistance: The Politics of Value and Cost in One-on-One Performances

Artist/Author: Deborah Pearson | Reference: A0623 | Type: Article

In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.

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