Leaflet for the Singapore Performance Art Event, programme and essays.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Catalogue for the exhibition at Singapore Art Museum.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Catalogue published for the exhibition featuring Lynn Lu; photos and an essay by John Mateer.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
Documentation from the festival, held 24-27 November 2005, in Bangkok, Thailand.
Part of the Library of Performing Rights (LPR) (P3041).
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Based on a new performance series the artist began in May at the Louisiana Museum of Modern Art as part of the ‘Made in China’ exhibition.
Take the chance to sing and dance to a pop-song while being filmed in a fantasy world. Within 24 hours your very own video will be posted on Youtube for the world to enjoy. This satirical piece exposes our longing to be, at least once in our lives, a star. The acronym says it all: “P.O.P. – The Politics of the Popular”.
Small catalogue accompanying the homonymous exhibition ( at Front. Room. Gallery, Singapore 1-15 April 2004) by the French-born artist based in Singapore since 1995. Includes images of her painting on x-rays and close-ups of photographs and video works accompanied by text.