The very best of the worst stuffed animals are brought together in one full-colour volume; with additional features including a DIY ‘Stuff Your Own Mouse’ lesson, and an author’s introduction to the craze for getting stuffed.
Presents items from the Ivor Cutler archive to accompany the exhibition Ivor Cutler: Good morning! How are you? Shut up!
Goldsmiths CAA, 1st October – 4 November 2018.
This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
What is it this time? Oh, is it unemployment? Is there a crisis? Did the government do something wrong again? No, it’s a show about Dolly Parton.
The Dance cub as the 'happening'.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Newspaper published to celebrate the company’s 25th anniversary.
Combining Rubnitz’s manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson impersonates the array of female types seen on TV in a typical broadcast day.
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