Catalogue > By Keyword > politics
941 results | Page 63 of 95
n.paradoxa’s 12 Step guide to Feminist Art, Art History and Criticism
n.paradoxa's 12 Step Guide to Feminist Art, Art History and Criticism invites readers to ask themselves difficult questions about the visibility of women artists, stereotypes of women artists in canons of art history, and to think about different theoretical approaches to a feminist art history of women artists. It offers further reading on a number of issues including: images of women; women as cultural producers; the politics of feminist art; and distinguishing between art in/of the feminine and feminist art.
This Article can be found in, Miscellaneous articles folder 5A
Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Phil Collins: The world won’t listen
Exhibition catalogue, Dallas Museum of Art
Valentine
Artist book. Based on the artist performances during the 1990s.
Alastair Maclennan: Coming to Meet
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Supporting a Landscape
establishment report for the New Work Network
Histories & Practices of Live art
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
The Bastille Dances
For short edited version see REF. D1898.
Truth is Concrete – A 24/7 Marathon Camp on Artistic Strategies in Politics and Political Strategies
In September 2012 the “Truth is concrete”, 24/7 marathon camp took place. With around 300 lectures, panels, tactic talks, performances, concerts, films, workshops and a parallel, self-curated, spontaneous Open marathon, “Truth is concrete” created a 170-hour performative space for thinking and networking in the city of Graz, Austria. Two newspaper style programmes (different cover) in foder.
Corpo Politico – The Political Body
A series of Talking Heads from UK-based Live Artists exploring their motivation for making work and sharing some of their documentation. A special screening programme curated by Andrew Mitchelson (Live Art Development Agency) for Corpo-Copia, a documentation and tracesspace within the Political Compositions Programme of the Panorama Festival 2011.
