Contains Courts drawings, notes, sketches and ideas for performance from his notebooks over a period of five years.

Playing cards, for a performance/card game in which players are dealt body parts instead of numbers in suit. Players will combine their own cards and reproduce the combinations with their own body. When a combination is impossible to be made alone the player may borrow a part of someone else’s body to be able to continue to play.

Published on the occasion of the LEER-GUT, an exhibition held at the Kadenz/Geldern Gallery in November 1992.

In German.

A Performance Poem from the Series “Documented/Undocumented”.

Explores attention structures that invite one-to-one encounters in digitally informed practice.

A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.

Documentation from the DIY 13 project, interrogating how re-‘creation’ impacts the creative process.

Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.

Part of the Library of Performing Rights (LPR) (P3041).

Documentation from the DIY 13 project: a performance artist and novice sexual deviant attempts to liberate your orgasm via a journey through Leeds’ sex scene.

Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.