Explores how different concepts of time – including linear clock time, the cyclical time of the planets and seasons, the rhythms of the body and individual memories – have impacted on and been reinforced by theatre throughout history, from medieval times to the present day.
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
A collection of newly commissioned texts that explore the moving image in relation to performance.
Held in Misc Article Folder 2
From the Collecting Live Art Symposium, Saturday 26 January 2008.
On the video and film based work of Third Angel.
POINT is a pocket size publication published twice a year including full details of Performance Space seasonal programme, Performance Space, Sydney, Australia. Live Live season October – November 2010. 2 copies archived.
A Performance Documentation of Raumlabor’s Duismulsen U(topie) 18
In what ways does the experience of live art counter the ideological readings of place, context and significantly, gendered codification?
Found in miscellaneous article folder #5
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)