Hachiko: The True Story of a Loyal Dog
Notes
This true story of a dog that faithfully waited for his owner at a Tokyo train station.
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Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Diffracting the Politicized Spectacle: Queering censorship in the Aichi Triennale
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
Kunst der Begegnung / Art of Encountering VII
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Points of Convergence - Alternative Views on Performance
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Virus
A heady brew of feminist critique of the art world and extreme body horror.
The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee
Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.
How We Die is How We Live Only More So
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
An Interview with Hancock and Kelly
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
Love on Me
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
The 2 of Us
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.
Revisiting Genisis
Follows two nurses, both named Jackie, who create biographical slideshows for patients as a tool for reflection on posthumous digital legacies, withdrawal, friendships, cultural and social loss, and memory as identity.
Part of LADA Screens 11. The film was available online 16-29 May 2016 on the LADA Screens Channel. Includes a compilation of episodes 1 – 7, split into two files.
Part of the Library of Performing Rights (P3041).
Jennifer Doyle in conversation with Ron Athey
A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.
Part of LADA Screens 6.
