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It’s All Allowed: The Performances of Adrian Howells - review
Artist/Author: Antje Hildebrandt | Reference: A0736 | Type: Article

Book review.

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

The Walking Read Group On Commons
Editor: Lydia Ashman, Ania Bas and Simone Mair | Reference: P3198 | Type: Publication

Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.

Alex Colas Andrea Phillips Andrew Simms Birkbeck city Cliff Harper David Harvey David Starsmeare Doina Petrescu Elinor Ostrom engagement Garrett Hardin Gustavo Esteva intimacy Jo Fisher Joseph Rykwert Justin McGuirk knowledge London Manuela Zechner Michael Smythe Mierle Laderman Ukeles Molly Conisbee New Cross Commoners one-on-one participation performance Peter Linebaugh Phytology Richard Reynolds Rosanna Thompson Russell Miller Silvia Federici Tatiana Baskakova Tree Musketeers urban

It’s All Allowed: The Performances of Adrian Howells
Editor: Deirdre Heddon and Dominic Johnson | Reference: P3196 | ISBN: 9781783205899 | Type: Publication

Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

Hotel Obscura programme (2)
Artist/Author: Die Fabrikanten | Reference: P3205 | Type: Publication

Large format programme for Hotel Obscura (Vienna performances). In German.

Arts House community art displacement encounter Erin Milne exchange GK Theater hotel immersive intervention intimacy La Folie Kilomètre La Transplanisphère LADA LADA screens live art Live Art Development Agency Mezzanine Spectacles Ohi Pezoume one-to-one participation participatory performance politics refugee site specific stranger theatre Triage

The Walking Reading Group on Participation
Editor: Lydia Ashman, Ania Bas and Simone Mair | Reference: P3197 | Type: Publication

Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.

In English, Spanish, Italian and German.

engagement intimacy Isabel Verdet Peris Jo Freeman knowledge knowledge exchange Michael Ende one-to-one performance Thomas More Zaramarr

The Walking Reading Group
Editor: Lydia Ashman, Ania Bas and Simone Mair | Reference: P3199 | ISBN: 978-1-908452-55-9

Publication documenting the work of the WRG in 2013 and 2014.

archiving city coumunity documentation engagement Fazia Shaheen intimacy John Levett Ken Worpole Kit Caless knowledge knowledge sharing London one-on-one performance

October Meditation
Artist/Author: Skylar Brennan | Reference: P3176 | Type: Publication

Publication on the project conducted in October 2016. The artist made hand-sewn garments, wearing only one until the next one was made, and exploring the relationship between art and ecology.

archive Burren Burren College of Art clothes craft documentation environment intimacy Ireland journal London performance shared acts sustainability visual art

Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Artist/Author: Adam Alston | Reference: P3101 | ISBN: 978-1137480439 | Type: Publication

Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?

ACE affect agency Arts Council England audience engagement Battersea Arts Centre biopolitics coalition government darkness entrepreneur experience funding Half Cut intimacy Jacques Rancière Jen Harvie Josephine Machon labour Louise Owen Lundahl & Seitl money narcissistic neoliberalism New Labour Nicholas Ridout one-on-one participation policy politics productivity Punchdrunk Ray Lee Shunt Theatre Delicatessen Tony Blair uncertainty value

On Repetition: Writing, Performance and Art
Editor: Eirini Kartsaki | Reference: P3080 | ISBN: 978-1783205776 | Type: Publication

The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.

Alan Read Alice Barnaby Andrea Brady Carrie Lambert-Beatty Christopher Smith citation Claire Hind compulsion craft dance David Lynch death drive Eirini Kartsaki Emma Bennett endings failure Frankenstein Gareth Farmer Gary Winters gaze gazing Geraldine Monk How to Become a Cupcake intimacy Jacques Derrida Judson Dance Theater Lauren Barri Holstein Linda Kemp linguistics Marina Abramović Mutability oikonomia Oikos performance art performance studies philosophy psychoanalysis Ruth McPhee Sigmund Freud Silvia Battista Slavoj Žižek sociology Stewart Lee Swen Steinhäuser The Artist is Present trauma uncanny Walter Benjamin

Laurie Anderson: Do dogs aspire to nirvana?
Artist/Author: Gail Priest | Editor: Keith Gallasch, Virginia Baxter | Reference: A0696 | Type: Article

Feature on Duets on Ice, Landfall and Dirtday!.

Adelaide Festival composition criticism experimental intimacy Kronos Quartet language music performance art

caesura
Artist/Author: Tracy Evans | Reference: D2219 | Type: DVD

An exploration of the artist's experience of giving birth under general anaesthetic.

AV documentation (no sound); 6 hours.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

absence body gender intimacy memory motherhood one-to-one pause performance recovery women

My Nana’s Wedding (Gown) Part One
Artist/Author: Miffy Ryan | Reference: P3028 | Type: Publication

Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

audience death documentation family gender grandparents inheritance intimacy marriage performance women

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