Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs. Includes DVD
In response to the torture inflicted by the Chicago Police from 1972 to 1992, and as part of The Chicago Torture Justice Memorial Project, Lucky Pierre is creating 1000 actions for Chicago torture justice. As of 5 October 2012, Lucky Pierre has generated 100 actions for Chicago torture justice documented in this booklet.
Performance art, text, documentation, exhibition, poetry, intervention
This publication brings together four ways of looking at Glorious, and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.
Part of the Library of Performing Rights (LPR) (P3041).
n.paradoxa's 12 Step Guide to Feminist Art, Art History and Criticism invites readers to ask themselves difficult questions about the visibility of women artists, stereotypes of women artists in canons of art history, and to think about different theoretical approaches to a feminist art history of women artists. It offers further reading on a number of issues including: images of women; women as cultural producers; the politics of feminist art; and distinguishing between art in/of the feminine and feminist art.
This Article can be found in, Miscellaneous articles folder 5A
Exhibition catalogue, Dallas Museum of Art
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.