In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
All issues (pilot-6) of the “international cross-artform bi-monthly”.
Documentation from the fourth edition of the performance art festival, held in Herdla, Norway. The artists gathered for a week having the opportunity to work within the environment of the site, before presenting their work on 30th August 2014.
In Norwegian and English.
The exhibition explores the limits of science where the absence of established facts may leave room for new theories, alternative science, and conspiracy theories.
Fact Liverpool, 10/11-5/02 2016.
Festival book; unlike a programme, it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with this year’s leitmotif, “Wir schaffen das”, essays, reports or series of pictures.
Festival dates: 23 September – 16 October 2015.
In English and German.
Programme for the 2016 Unlimited festival, celebrating the artistic vision and originality of disabled artists.
Southbank Centre, 6-11 September.
Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.