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Emergency INDEX Vol 6
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Be Your Dog
Documentation from the DIY 13 project.
‘We keep our biologies intimate’ : Zoedramatics in bio/interspecies performance
Draws on Kira O’Reilly’s on-going bio-art performance experimentations and Matthew Herbert’s experimental music performance One Pig to rethink the theoretical and performative engagement with animals and the vitality of life in its broadest sense.
Emergency INDEX Vol 5
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Oleg Kulik documentation
Includes:
– MOMMA film 7’42”
– Family of the Future, 22’22”
– I Can’t Keep Silence Any More, 2’42”
– Missionary, London 2012, 5’28; Moscow, 1995, 5’38 and 2’20”
– Pavlov’s Dog, 3’49”
– Two Kuliks, 5’58
Intimate Nature – a trip with Anik and Christine
Documentation of a dance project exploring the deep relationship between human and animal and forms of becoming.
Rebecca Horn
Catalogue from the Rebecca Horn retrospective that opened at the Guggenheim Museum, New York, June 1993. Contributions include interviews and essays by Rebecca Horn, Germano Celant, Nancy Spector, Giuliana Bruno, Katherina Schmidt, Stuart Morgan, Nicholas Serota, Thomas Krens.
A Pathognomy of Performance
Stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical.
Animalworks in China
The experimental art scene in post-Tiananmen China has featured an array of animal bodies, both living and dead, as well as interspecies encounters ranging from the playful to the sadistic, from the gently collaborative to the violently conflictual, which interrogate and destabilize contemporary constructions of the nature-culture binary.
Awfully Wonderful: Science Fiction in Contemporary Art
15 April – 14 May 2011, Performance Space, Sydney.
Documentation Bank: Paul Granjon
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Talking Heads: Paul Granjon
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
