Catalogue from the Rebecca Horn retrospective that opened at the Guggenheim Museum, New York, June 1993. Contributions include interviews and essays by Rebecca Horn, Germano Celant, Nancy Spector, Giuliana Bruno, Katherina Schmidt, Stuart Morgan, Nicholas Serota, Thomas Krens.
Stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical.
The experimental art scene in post-Tiananmen China has featured an array of animal bodies, both living and dead, as well as interspecies encounters ranging from the playful to the sadistic, from the gently collaborative to the violently conflictual, which interrogate and destabilize contemporary constructions of the nature-culture binary.
15 April – 14 May 2011, Performance Space, Sydney.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Paul Granjon, The Heart and the Chip, Reflections and experiments of the co-evolution of human and machine
Six video screens with see six streams of consciousness, placed in an idealized paradise landscape.
For 30 hours, a young man and an older woman will live in this specially designed terrarium for humans