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Documentation Bank: Howard Mathew
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This is Performance Art Part One
Playful alternative histories of Performance Art inspired by real artists. Bothy Gallery 9 April – 3 July 2011.
After Grotowski
Obituary/reflection on Jerzy Grotowski who died in January 1999. (see Paul Allain’s obituary of Grotowski in Total Theatre, Vol. 11, No. 1 – A0407)
Welcome to Cabaret
An article about cabaret: is it entertainment or performance art?
Hybrid Narratives
Hybrid Narratives curated by Levent Calikoglu at the Akbank Art Center, Istanbul, 5th September – 20th October 2007, artists included: Isil Egrikavuk, Harold Offeh, Irfan Onurmen, Denizhan Ozer.
The Art of Memory
Third text in anthology.
Let’s Twist Again: Performance in Vienna from 1960 until today
In German and English
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.
Whose Heritage? The Impact of Cultural Diversity on Britain’s Living Heritage
No Room to Move: Radical Art and the Regenerate City
As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, the authors take stock of an era of highly instrumentalised public art making.
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
On Listening
Accompanying CD for Performance Research: On Listening Vol. 15 No. 3.Linked articled A0336, A0335, A0334. Includes Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance, To See versus To Believe: A conversation on listening and The Horizon of Sound: Soliciting the Earwitness
