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Performative monuments: The rematerialisation of public art
How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Latifa Echakhch
The artist investigates cultural transfer and displaced identity through installation, sculpture, video and performance, culturally stereotyping artefacts such as flagpoles, Moroccan tea glasses and India ink in her art. Exhibition catalogue.
Part of the Study Room Guide on Live Art and Displacement (P3107).
People Show: Nobody Knows But Everybody Remembers
Written by The People Show’s longest standing and original member, the publication chronicles a very other, non-mainstream way of making art, of living and breathing this art and all that it stands for, during the course of 50 years.
Emergency INDEX Vol 5
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Regina José Galindo documentation
Includes:
– Artist bio & CV
– Hermana, 2010, 1'50''
– Himenoplastia, 2004, 7'21''
– Juegos de poder, 2009, 11'10''
– La Verdad, 2013, 1:10'
– Lucha, 2002, 3'38''
– Perra, 2005, 5'31''
Glimpses of Before 1970s Performance Art in the UK - Images
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Performing Idea Symposium documentation
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
Antidote to Oblivion
Phillips dicusses the making of Performance Art in Ireland: A History.
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
