A Bulgarian truck-ride through European cities.
A performance on the Australian government’s trade with the Saddam Hussein regime.
Projects a critical context around the Season of Media Arts in London March 2006 and provides another discursive dimension to the events of October 2005’s Open Season.
Part of the Library of Performing Rights (LPR) (P3041).
Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.
Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
Explores the space between production and consumption.
Featuring the work of over 100 artists and writers, this unique anthology maps the changing landscape of contemporary art and culture over the past decade in the context of global economics and local politics.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all.
Part of the Library of Performing Rights (LPR) (P3041).
On the challenges facing policy and provision for Live Art in England.