Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.
Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
|Artist / Author||Meiling Cheng|
|Journal||The Drama Review|
|Journal date||Autumn 2005|