A monograph produced and designed in close collaboration with the artist; forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue; installation by Michael Gibbs and Claudia Koelgen. 31 May – 11 July 1992, AIR Amsterdam; 4 September – 11 October 1992, Fotografie Biennale, Rotterdam; 7 January – 13 February 1993, Zone, Newcastle.
In Dutch and English.
Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Contains Courts drawings, notes, sketches and ideas for performance from his notebooks over a period of five years.
Published on the occasion of the LEER-GUT, an exhibition held at the Kadenz/Geldern Gallery in November 1992.
In German.
Exhibition catalogue; 19-27 October 1991, le Fresnoy, France.