On Live Art landscape in 2005.
A publication documenting the first 40 years of Artsadmin.
A report on the five-year programme; the story of an undertaking that brought together art and heritage.
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.
For the 11th edition of DRAF Curators’ Series, guest curator Victor Wang 王宗孚 launches the Institute of Asian Performance Art (IAPA), an international network to deepen the awareness and understanding of the history of early performance art in Japan, Korea, China and Taiwan.
On Les Ballets Africains, Adzido, Phoenix and Irie! at Sadler's Wells, Autumn 1990.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today’s art world.
Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us.