Catalogue > By Keyword > audience
338 results | Page 6 of 34
Theatre and Cancer
Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.
Part of Library of Performing Rights (P3041).
Christoph Schlingensief: Art without Borders
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
40x40x40x40
A publication documenting the first 40 years of Artsadmin.
Performing Image
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
The Death of a Clown
An audacious and essential take on modern life, alienation and sexuality that simultaenously estranges itself from and relates to its audience.
Queer exceptions: Solo performance in neoliberal times
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
SPILL festival of performance programme
SPILL programme; 25 October – 4 November, 2018, Ipswich
Earthlings: A fanzine for soil
Brings together writings and words from the project which looked through the lenses of science, ecology, and poetry, to explore the ways we relate to soil.
Part of Library of Performing Rights (P3041).
Selected Performances
Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
The theater and its double
A collection of manifestos originally published in 1938, in which the artist and philosopher attacks conventional assumptions about the drama.
