Part of a DVD collection collection to curatorial practices and exhibition history called Archives. This film by Jef Cornelis constitutes an accounts of the exhibition DOCUMENTA 4.
| Artist / Author | Jef Cornelis |
|---|---|
| ISBN | 978-3-03764-257-3 |
| Reference | D2168 |
| Date | 2012 |
| Type | DVD |
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Brings together established and emerging practitioners who work with light, as material or subject.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.
Complete collection of Primary Sources on the International Performing Arts. Includes issues 1 to 8, (1979 – 1981). Includes originals of issues 1 (two copies), 2 (two copies), 3, and 4 (two copies), as well as photocopies of all eight issues.
In the glass cabinet.
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
A new collection of images and texts depicting the artist's recent activities and project with Live Art Bistro, East Street Arts and Leeds Beckett University.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,