The collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings.
Siona Wilson investigates the charged relationship of sex and labour politics as it played out in the making of feminist art in 1970s Britain.
Contribution by Jamila Johnson Small for FANON Now – on the legacy of Mirage: Enigmas Of Race, Difference & Desire. The event brought together David A Bailey, artists from the original Mirage project, and artists from subsequent generations, to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.
Contribution by Alexandrina Hemsley for FANON Now – on the legacy of Mirage: Enigmas Of Race, Difference & Desire. The event brought together David A Bailey, artists from the original Mirage project, and artists from subsequent generations, to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.
In association with the Royal College of Art, Exit Strategies situates new generation of artists alongside specially commissioned texts by international novelists, artists, academics and philosophers.
Collections of films made between 1978 and 1981 including “We Imitate”; “We Break Up” (1978), “The Broken Rule” (1979), and “Out of Hand” (1981), iconic and original works of the ‘Pictures Generation’.
Collection including previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs, as well as a full picture of his wide-ranging views on art and culture. This item is part of the Study Room Guide to Remoteness (P2600).
Essays on philosophical and aesthetic perspectives on painting, photography, music, architecture, performance and cinema.
Stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical.
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.