As the Chicago based performance group Goat Island draw twenty years of beginnings to a close, they open up a myriad of lenses for reflection on, and continuation of, their work through the website project The Last Performance [dot org].
|Artist / Author||Robert Wilsmore|
|Editor||Ross Prior, Michell Kossak, Hayley Singlehurst|
|Journal||Journal of Writing in Creative Practice|
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
The second volume of the landmark trilogy consent not to be a single being.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Examines fandom as a set of practices for approaching and writing about art.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.