Succede a Londra

Notes

Artists an practitioners are interviewed by Franko B: Small Acts at the Millennium. Italian arts magazine, this article is printed in English.

Artist / Author Franko B
Reference A0390
Date 2001
Journal Virus Mutations
Journal date Jan-Feb 2001
Journal page 40-41
Type Article

Keywords

Similar items

Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)

Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic

Artist/Author: Clio Unger | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0909 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Moving-Writing

Artist/Author: Toine Horvers | Reference: P4186 | ISBN: 9789083003849

‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers

10: The Institute for the Art and Practice of Dissent at Home

Artist/Author: The Institute for the Art and Practice of Dissent at Home | Reference: P4176 | ISBN: 978-0-9564165-5-1 | Type: Publication

10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.

Art as We Don’t Know It

Editor: Erich Berger, Kasperi Mäki-Reinikka, Kira O’Reilly, Helena Sederholm | Reference: P4171 | ISBN: 978-952-60-8822-8 | Type: Publication

Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.

A Way / Away

Artist/Author: Vlatka Horvat, Tim Etchells | Reference: P4164 | Type: Publication

A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.

 

Pop Goes Live Art – Icons on Icons documentation

Digital Reference: EF5373 | Type: Digital File

Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.

Artists On: Disability

Digital Reference: EF5358 | Type: Digital File

Videos by artists exploring Live Art and disability. Including videos commissioned for LADA’s “Access All Areas: Live Art and Disability” programme in New York, 2014.

Pleading in the Blood: The Art and Performances of Ron Athey

Artist/Author: Ron Athey | Editor: Dominic Johnson | Reference: P2115 | ISBN: 978-1-78320-035-1 | Type: Publication

Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.