Performing Idea: Dialogue Project: Moving – Writing

Artist/Author: Jimena Ortuzar | Reference: A0899 | ISBN: 1352-8165 | Type: Article

On Filipina labour and amateur performance in Hong Kong.

Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.

Artist/Author: Toine Horvers | Reference: P4195 | ISBN: 978-9-08-300382-5 | Type: Publication

Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.

Text in English and Dutch

Artist/Author: Emilyn Claid | Reference: P4189 | ISBN: 978-1-3500-7571-9 | Type: Publication

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.

Editor: Martina Hochmuth, Krassimira Kruschkova, Georg Schollhammer | Reference: P4182 | ISBN: 3-86588-255-2 | Type: Publication

On dance and performance since 1989 follows the congress of Tanzquartier Wien to which we had invited participants from all over Europe to talk about new geographies and artistic workforms and workspaces in the fields of dance and performance, about the widely interweaved and cross-referencing, often indistinguishable and multiply coded cultural figures of production, reception and reflection.

Editor: Karen Christopher, Tara Fatehi Irani | Reference: P4180 | Type: Publication

Paper leaves and other constructions
a reading companion to Always Already
compiled and edited by Karen Christopher & Tara Fatehi Irani

Always Already is an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, which uses materials, text, sound and movement to explore the weaving together of plant, human and machine, including human/plant and human/machine hybrids.

Paper leaves and other constructions is a 32-page booklet, introducing the themes and content of the project, and responding to many of the questions that arose in the creative process. Drawing parallels between a path through life and one through the making of a particular work of performance, the booklet answers the question “how did you do that?”

The booklet includes contributions from Karen, Tara, Payman Kassaei (Professor of Mathematics, Kings College), Felipe Ribeiro (performance artist and researcher), Omikemi (poet), Eirini Kartsaki (performance writer and teacher), and an interview with Henry Dagg (sound sculptor and builder of experimental musical instruments).

 

Editor: Chloe Chignell, Maia Means, Stefan Govaart | Reference: P4178 | Type: Publication

Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.

 

Artist/Author: Doran George | Editor: Susan Leigh Foster | Reference: P4172 | ISBN: 978-0197538746 | Type: Publication

One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements.

Artist/Author: Maddy Costa, Andy Field | Reference: P4168 | ISBN: 9781350190641 | Type: Publication

An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.

Artist/Author: Doris Gassert, Claire Hoffmann, Eva-Maria Knüsel | Editor: Stadt Luzern, Kunsthalle Luzern | Reference: P4139 | ISBN: 978-3-903320-63-5 | Type: Publication

A monograph dedicated to the work of Lotta Gadola.

In German and English.

Kindly donated for the Swiss Live Art Study Room Guide.

Artist/Author: Project O, Alexandrina Hemsley, Jamila Johnson-Small, Charlotte Cooper, Kay Hyatt, Katarzyna Perlak | Digital Reference: EF5389 | Type: Digital File

In 2014 Project O (Alexandrina Hemsley and Jamila Johnson-Small) began working with Charlotte Cooper and Kay Hyatt on a show called SWAGGA. The work is rooted in dance and draws on other performance traditions, including a live soundtrack by Trash Kit and original compositions by Verity Susman. This collaboration was remarkable because it featured untrained dancers with the kinds of political bodies – fat, queer, older – that are rarely treated as creative, expressive or worthy choreographic subjects. Over two years SWAGGA was refined and performed for audiences around the country. Katarzyna Perlak documented the process and in 2016 created SWAGGA: A Study On Camera, a creative response to the live performance. The result is an extravaganza of mess, antisocial emotions and intersectional feminist sensibility.

SWAGGA: A Study On Camera was first screened by the Live Art Development Agency in 2018 as part of the LADA Screens programme, a series of online screenings of seminal performance documentation, works to camera, short videos, films and archival footage.

Artist/Author: Liz Rosenfeld | Digital Reference: EF5387 | Type: Digital File

Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.

7 mins

Digital Reference: EF5379 | Type: Digital File

Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.