Mercurial Dance

Artist/Author: Alja Lobnik, Simon Kardum, Jasmina Založnik, Pia Brezavšček | Editor: Andrea Kopač, Alja Lobnik | Reference: A0938 | ISBN: 1318-0509 | Type: Article

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Artist/Author: Nina Meško, Janez Janša, Nataša Tovirac, Maja Delak | Editor: Andrea Kopač | Reference: A0937 | ISBN: 1318-0509 | Type: Article

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Artist/Author: Claire MacDonald | Editor: Claire MacDonald | Reference: A0930 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Reviews : All Over the Map

A Review of ‘A Woman Who…Essays, Interviews, Scripts’ Yvonne Rainer

by Claire MacDonald

pp. 121 – 123

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

Artist/Author: Vikki Chalkin | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0904 | Type: Article

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19

Artist/Author: Adesola Akinleye, Isaac Briggs, Jennifer Cooke, Laurie Crow, Thomas Dawkins (aka Cara Noir), Tara Fatehi Irani, Julia Giese, Martin Hargreaves, Claire Heafford, Joe Moran, Laura Purseglove, Kesha Raithatha, Raju Rage, Nat Thorne, Claire Warden, Sam West and Sam Williams. | Editor: Laura Purseglove | Reference: p4205 | ISBN: 978-1-8380229-0-7 | Type: Publication

Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.

Artist/Author: Jimena Ortuzar | Reference: A0899 | ISBN: 1352-8165 | Type: Article

On Filipina labour and amateur performance in Hong Kong.

Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.

Artist/Author: Emilyn Claid | Reference: P4189 | ISBN: 978-1-3500-7571-9 | Type: Publication

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.

Editor: Martina Hochmuth, Krassimira Kruschkova, Georg Schollhammer | Reference: P4182 | ISBN: 3-86588-255-2 | Type: Publication

On dance and performance since 1989 follows the congress of Tanzquartier Wien to which we had invited participants from all over Europe to talk about new geographies and artistic workforms and workspaces in the fields of dance and performance, about the widely interweaved and cross-referencing, often indistinguishable and multiply coded cultural figures of production, reception and reflection.