This book draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America.
| Artist / Author | Sally Banes |
|---|---|
| Publisher | Duke University Press |
| ISBN | 978-0-8223-1391-5 |
| Reference | P2672 |
| Date | 1993 |
| Type | Publication |
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Examines fandom as a set of practices for approaching and writing about art.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Eight issues of the interview zine about performance.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.