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| Artist / Author | Richard Dedomenici |
|---|---|
| Digital Ref | DB0065 |
| Date | 1970 |
| Type | Digital File |
Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
We need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections.
In this incisive, radical and practical essay, Emma Dabiri – acclaimed author of Don’t Touch My Hair – draws on years of research and personal experience to challenge us to create meaningful, lasting change.
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.
Follows two nurses, both named Jackie, who create biographical slideshows for patients as a tool for reflection on posthumous digital legacies, withdrawal, friendships, cultural and social loss, and memory as identity.
Part of LADA Screens 11. The film was available online 16-29 May 2016 on the LADA Screens Channel. Includes a compilation of episodes 1 – 7, split into two files.
Part of the Library of Performing Rights (P3041).
Documentation from the public screening of Adrian Howells’ works featuring presentations from Adrian’s collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online 18 July – 1 August 2016 on the LADA Screens Channel.
On Forced Entertainment, prediction, and the community of audience.
A documentary about a series of one-to-one performances that took place in a hotel in Austria.
Part of LADA Screens. The film was available online 4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).