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Late-night Cabaret pt.2

Artist/Author: Scottee, A. Lame, Bryony Kimmings | Reference: D1516 | Type: DVD

Event documentation.

Body Art / Performing The Subject

Artist/Author: Amelia Jones | Reference: P0013 | Type: Publication

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Franko B

Artist/Author: FAM | Reference: P0018 | Type: Publication

three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Manifestas 2: Cabula situacionista

Reference: P0305 | ISBN: 968-29-9889-1 | Type: Publication

*currently unavailable*

Mexican catalogue in conjunction with Ex Teresa Arte Alternativo.

Blast Theory’s Rider Spoke, its Documentation and the Making of its Replay Archive

Artist/Author: Blast Theory, Various | Reference: A0342 | Type: Article

Contributions from Gabriella Giannachi, Duncan Rowland, Steve Benford, Jonathan Foster, Matt Adams & Alan Chamberain

Duckie: Performance and Cocktails

Artist/Author: various | Reference: D1509 | Type: DVD

Documentation of Performance and Cocktails, 26 August 2010 at Royal Vauxhall Tavern

7.30pm DJ Father Cloth
Hostess: Amy Lame
Toilet Attendent: Harold Offeh
8.35pm Dominic Johnson: Departure
Wendy Houstoun: Starbucked
Helena Hunter: The Other Room
9.10pm DJ Father Cloth
9.30pm Rajni Shah: Song of Letters
Roy Kerr: In Third Place
Special Guest Kira O’Reilly
9.55pm DJ Father Cloth
10.10pm H. Plewis: Rom Dot Com
Mitch & Parry: Oceans Apart
Neil Bartlett: Sleeping Beauty
10.40pm show ends – DJ Father Cloth
11.30pm Last Orders

Performance Artist: This is my work 2003-2010

Artist/Author: Jess Dobkin | Reference: P1525 | Type: Publication

See D1492 for DVD compilation of Jess Dobkin’s work.

The ‘do-it-yourself’ artwork: Participation from Fluxus to new media

Artist/Author: various | Editor: Anna Dezeuze | Reference: P1523 | ISBN: 9780719081446 | Type: Publication

The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.

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