Asks pertinent questions about art, theatre and the changing meaning of ‘culture’ in today’s intercultural world.
Part of the Library of Performing Rights (LPR) (P3041).
Published to coincide with the launch of Public Art Now, a programme of events and discussions which explore new forms and approaches to public art.
Part of the Library of Performing Rights (LPR).
Special edition of performing arts magazine Frakcija, covering the Goat Island project When Will September Roses Bloom? Last Night was Only a Comedy.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
Reading wesistive choreographies through works by Jawole Willa Jo Zollar and Chandralekha.
Part of the Library of Performing Rights (LPR) (P3041).
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
Draws on Kira O’Reilly’s on-going bio-art performance experimentations and Matthew Herbert’s experimental music performance One Pig to rethink the theoretical and performative engagement with animals and the vitality of life in its broadest sense.
Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
Print newsletter from Create Ireland; includes an interview with Sandra Noeth. May 2017.