*currently unavailable*
A collection of press material dating mainly between 1995 and 1996.
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
The French performance artist’s practice of self-directed violence creates a spectacle that violates the viewer and establishes Orlan’s body as “a site of public debate.” Her work radically exposes the violence of patriarchically established “beauty standards.”
Live Art Letters – A Live Art Research Journal. March 1999. Text in English and French.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Analyses the tension between a fragmented and holistic body concept in performance art, popular culture, new media arts, and architecture.
An engaging, critical and thought-provoking approach to how current technologies are changing our perceptions of the body, the self and the interactions between bodies.
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)