A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.
Part of the Library of Performing Rights (LPR) (P3041).
Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.
Inspired by a ritual known as Matam, which takes place in the Shiite ceremony of Ashura, the performance transcends its origins, becoming an action that opens the body to a trance state of rhythm & ritual practice.
The artist's body is spit on and punished by an indigenous Guatemalan woman.
Part of the Library of Performing Rights (LPR) (P3041)
Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.
Part of the Library of Performing Rights (LPR) (P3041).
Looks at the Study Room as a case study of how libraries can perform in response to performance, and what their performance can do for performance.
What happens when you give a live artist the keys to the library?
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.