There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalyzed: the visual; this publication makes a powerful argument for science fiction as a visual cultural discourse.
In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.
The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
This book explores the relationship between place and forms of thought and creative activity, relating Outlandia, an off-grid artists’ fieldstation, and the artists there, to the tradition of generative thinking and making structures that have included Goethe’s Gartenhaus in Weimar, Henry Thoreau’s cabin at Walden Pond and Dylan Thomas’s writing shack in Laugharne.
The publication is constructed around the two works, Capitol Complex (2012–2014) and Ulterior Vistas (2012–2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages. Format hardback: + 10″ vinyl record. Printed in an edition of 500.
An account of visits to various remote places in order to evoke their spirit of wildness punctuated with reflections on climate change, on destruction of habitat, and on the matters of time and belonging. This item is part of the Study Room Guide to Remoteness (P2600).
This book is an account of Allenheads Contemporary Arts (ACA)’s development through a programme of residencies, projects, exhibitions and events that accompany relations with community and environment. This item is part of the Study Room Guide to Remoteness (P2600).
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape