Catalogue > By Keyword > intergenerational
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Freaks
Now regarded as a landmark film but virtually disowned by MGM when it was first produced, Browning’s film, set in a travelling circus, works as an old-fashioned morality play against avarice. Browning used a collection of handicapped actors and performers for the circus community, which initially welcomes the beautiful trapeze artist Cleopatra into their group when she marries midget circus owner, Hans.
60 minutes.
Part of the Study Room Guide on Live Art and Kids (P3091).
Study Room Guide on Live Art and Kids
A Study Room Guide by the artist and researcher Sibylle Peters looking at key issues and works in relation to Live Art by, for, and with, children
Programme for a Proletarian Children’s Theatre
In miscellaneous folder 6.
Part of the Study Room Guide on Live Art and Kids (P3091).
Oogly Boogly
What happens when a 12-18 month old is let loose in a soft, safe space with someone who follows and reflects their every sound, move and mood? The interaction between babies, performers and the audience of parents and carers is what makes this an utterly unpredictable event.
Includes a 10 minute edit and a video of the 45 minute performance a the 2005 Melbourne Festival.
Part of the Study Room Guide on Live Art and Kids (P3091).
How to be an Explorer of the World
Artists and scientists analyse the world around them in surprisingly similar ways, by observing, collecting, documenting, analyzing, and comparing. In this guided journal, readers are encouraged to explore their world as both artists and scientists.
Part of the Study Room Guide on Live Art and Kids (P3091).
Mine-Haha: Or, on the Bodily Education of Young Girls
At once a dystopian fantasy and a critique of sexual norms, this novella describes a unique boarding institution for girls – part idyllic refuge, part prison – where pupils are trained only in the physical arts of movement, dance and music, before issuing into an adult world for which they have (unwittingly) been prepared. Presented alongside two rare, complementary short fictional pieces: The Burning of Egliswyl and The Sacrificial Lamb.
Part of the Study Room Guide on Live Art and Kids (P3091).
This Is Not A Book
This Is Not a Book will engage readers by having them define everything a book can be by asking, ‘If it’s not a book, what is it then?’ – with a kaleidoscope of possible answers.
Part of the Study Room Guide on Live Art and Kids (P3091).
Wreck This Journal: To Create is to Destroy, Now With Even More Ways to Wreck!
Through a series of creatively and quirkily illustrated prompts, Smith encourages journalers to engage in “destructive” acts – poking holes through pages, adding photos and defacing them, painting with coffee, colouring outside the lines, and more – in order to experience the true creative process.
Part of the Study Room Guide on Live Art and Kids (P3091).
Together: The Rituals, Pleasures and Politics of Cooperation
From Medieval guilds to today’s social networks, Sennett’s book explores the nature of co-operation, why it has become weak and how it can be strengthened.
Part of the Study Room Guide on Live Art and Kids (P3091).
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Fem Fresh Platform 2014
Tammy Whynot, aka Lois Weaver, presents the performance platforrm “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art. Three parts introduction.
The Change I am Seeking is the Change in Real Life
Interview with Katerina Seda in The Believer Magazine about her practice. This article can be found in miscellaneous article folder number 3
