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Artist / Author | David Trigg |
---|---|
Reference | A0309 |
Date | 2010 |
Journal | an magazine |
Journal date | Dec 09 / Jan 10 |
Journal page | 13 |
Type | Article |
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
A report celebrating the successes of arts and cultural organisations in acting on national and international climate targets.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
On observing the Wooster Group process.
Includes: Pride (poem), Alter treego (poem), Fat Kid Manifesto (poem, extract from Fat Kid Running), Daring the City to Fall into it (poems + a short story), No guilt in Pleasure (zine)
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
The book brings Greta in her own words, collecting her speeches that have made history.
Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.