Existing as both a website and in free, printed form, this multi-layered, multi-voiced Guide is a key component of LADA’s “Restock Rethink Reflect Three” mapping and marking the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. Curated by Lois Weaver in collaboration with Eleanor Roberts and LADA.

Are we there yet? Study Room Guide on Live Art and Feminism

Tammy Whynot, aka Lois Weaver, presents the performance platforrm “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art. Three parts introduction. 

Three parts documentation of performance questioning some of the tropes associated with contemporary women and the internet. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Two parts documentation of performance offering an alternative view on contemporary feminism. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Two parts documentation of performance taking a humorous look at the post-operative body and who and what can be revealed after breast cancer. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Two parts documentation of performance in which the heroine of Vertigo re-stages her own version of Hitchcock’s movie. Presented in the context of the performance platforrm “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

Compilation of exerpts of performaces by the controversial performance artist from Mexico.

Two documentaries covering art events and critiques conducted by the Antagonist Art Movement. Includes leaflet of Antagonist Manifesto.