The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
Formulates a history and theory of biosemiotic and proto-biosemiotic thinking in order to open up new possibilities of contemporary social, philosophical, aesthetic and technological engagement.
Accompanies the performance and exhibition Four Legs Good, Compass Festival, 17-25 November 2018.
Acknowledging that the future of humankind is global, this volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance.
Part of the Library of Performing Rights (P3041).
Focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values.
Part of the Library of Performing Rights (P3041).
Examines what it might mean to make theatre beyond the human.
Reveals a tradition of queer environmentalism in contemporary literature and film from the Americas.
Draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives.
In September 2018, during Labour Party conference in Liverpool, a group activists set sail for the Burbo Bank wind farm on board the good ship Discovery; this is the account of their adventures.
A young girl is abducted and smuggled aboard a boat bound upstream on an Indonesian river, through a landscape scarred by ecological destruction and historical greed. As her captors take her ever deeper into the jungle, her uncertain fate is compounded by the sense of her environment as a place of violence, destruction and jeopardy.
Part of the Library of Performing Rights (P3041)