This performance project explored infertility and Assisted Reproduction Technologies (A.R.T) across the gender, sexuality, ethnic and reproductive experiences within the company.
2001-2003
| Artist / Author | Anna Furse |
|---|---|
| Digital Ref | EF5223 |
| Date | 2001 |
| Type | Digital File |
Booklet of the work of Andrés Galeano, Mart Stam Förderpreis 2011.
This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German and English.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
An idyllic location, a perfect spot, but something just isn't quite right, something doesn't fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
Pines towards a future vision that surpasses generally accepted structural limitations of the human condition. Part of LADA Screens.
Follows two nurses, both named Jackie, who create biographical slideshows for patients as a tool for reflection on posthumous digital legacies, withdrawal, friendships, cultural and social loss, and memory as identity.
Part of LADA Screens 11. The film was available online 16-29 May 2016 on the LADA Screens Channel. Includes a compilation of episodes 1 – 7, split into two files.
Part of the Library of Performing Rights (P3041).
Charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death.
Part of LADA Screens 14.
From a new project inspired in equal parts by Japanese Kabuki Theatre, the vocaloid Hatsune Miku and the 1987 film Mannequin.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
Documentation from the exhibition at the Cambridge Darkroom, 1990.