Documentation has been presented with permission of the artist as part of an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
Issue No 6 of Substanz featuring text by Adela Picón and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).