Performing Rights Collection – London – Welcome Home

Video documentation of a one-off event hosted at LADA. Artist Tim Etchells invited performer Rosana Cade and musician Angharad Davies to join him in an encounter working with text loop fragments and violin improvisation. Drawing on Etchells’ practice in which language distorts and transforms through repetition and in dialogue with sound elements, More details are slowly falling in was a collaborative experiment in which three unique artists bring their considerable individual experience and perspectives to play, inventing and exploring sonic material together.

The starting point for the performance was a set of text fragments taken from Etchells’ notebook – overheard comments, puzzling images and questions – which take their place in layers of voice and violin in compositions where texture, energy and musicality are as important as semantics.

The event was hosted at The Garrett Centre on Saturday 21 February, 2026

Audio recording of the UK launch of performance art duo Kainulainen & Latva’s book Globus Hystericus, published in 2025 by Finnish publishing house Taide.

Finnish performance art duo Kainulainen & Latva have been making extraordinary performances in both their native Finland and internationally since 2014. Informed by narratives of personal trauma, twinned with accounts of Finnish folklore, they have produced a prolific and unique body of work from their profoundly intimate and collaborative dynamic.

Performance artists Katri Kainulainen and Maximilian Latva gave a presentation with video clips and slides of their practice, followed by a Q&A session with special guests Dominic Johnson and Martin O’Brien. Key themes explored in the neurodivergent duo’s work include trauma, power relations and gender issues.

The event was hosted at LADA on Wednesday 22 July, 2026.

Audio recording of Live Art Development Agency event B Is for Blood: Nastja Säde Rönkkö in Conversation With Gemma Rolls-Bentley.

‘B is for blood in our veins, blood in our belly, between our legs, the flow of life within.’ – from Survival Guide for a Post-Apocalyptic Child

Survival Guide for a Post-Apocalyptic Child is a multidisciplinary project by award-winning video artist Nastja Säde Rönkkö, employing video, sculpture, text and workshops to explore strategies of survival in a world of contiguous crises.

Shot in a breath between lockdowns in 2021, these teeming forms is a sensate and mythic film, imagining a process of wilding – of entering the land and being opened by it. Memory and desire, history and loss, future and fantasy become porous, contributing to a textural and sensate meditation on living.

Commissioned by ]performance s p a c e[. Presented by ]ps[, ICA (London), VSSL studio, Chisenhale Studioes (2021) and Venice International Performance Art Week (2023). Funded by Arts Council England.

Single-channel video work; duration: 28.33

Nuidey is a short film made on an iPhone. It depicts three middle-aged queers, two of them fat, dancing in the Western Isles in slow motion in June 2024. They are naked.

There is a soundtrack of twangy music and reflections by the performers, which are subtitled. The reflections concern the place, light, rationale; fat subjectivity; what it is to be seen in real life and online; illness and decision-making. The conversation is intimate, the performers know each other well.

The film was conceived of and made by Charlotte Cooper as an expansion of her book Fat Body Work (2025 33editions).

The film was screened as part of Live Art Bookshop: Fat Body Work Launch at LADA on Wednesday 29 October 2025.

Regret
A 28 day durational performance
6 hours per day, June 2-29, 2021
Performed at Floating Goose Studios, Adelaide, Australia

Three short documentaries observe the creative process of Hooligan Art Community (founded in Kyiv in 2019) as the theatre company deals with relocation due to Russia’s full-scale invasion of Ukraine. Spanning the period May 2022 to October 2024, the films represent three distinct stages in the artists’ experience of displacement.

The three documentaries in this collection were made by Liubov Sliusareva (from Donetsk) who joined Hooligan Art Community in 2020 as filmmaker and art director. The films were produced by Peter Cant, co-founder and artistic director of Hooligan Art Community. Cant, an artist and theatre-maker from the UK is based in Berlin. He began working in Ukraine in 2016.

Three short documentaries observe the creative process of Hooligan Art Community (founded in Kyiv in 2019) as the theatre company deals with relocation due to Russia’s full-scale invasion of Ukraine. Spanning the period May 2022 to October 2024, the films represent three distinct stages in the artists’ experience of displacement.

The three documentaries in this collection were made by Liubov Sliusareva (from Donetsk) who joined Hooligan Art Community in 2020 as filmmaker and art director. The films were produced by Peter Cant, co-founder and artistic director of Hooligan Art Community. Cant, an artist and theatre-maker from the UK is based in Berlin. He began working in Ukraine in 2016.

Beer Advertisement (Dyke, Just Do It) (2025) is a two-cannel video installation by SWEATMOTHER, presented at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

(dis)closure (2025) is a performance by kane stonestreet at CEREMONY, a festival from Future Ritual. The documentation was screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

cock~salt (2025) is a performance to camera by Claye Bowler, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.