NRLA (National Review of Live Art) 2008 – Illustrated Lectures – Performance, Politics, Ethics and H

Notes

Adrien Sina Illustrated Lectures Part 2:, Josephine Baker, Valentine de St-Point, Vaslav Nijinski, Isadora Duncan, Rudolf von Laban, Mary Wigman, Valeska Gert, Martha Graham, Bertolt Brecht, Kurt Jooss, Tadeusz Kantor, Hijikata, Josef Beuys, Günter Brus, Hermann Nitsch, John Lennon, Yoko Ono, Martin Scorsese, Adrian Piper, Ana Mendieta, Chris Burden, Michel Journiac, Gina Pane, Henri Maccheroni, Pier Paolo Pasolini, Valie Export, William Kentridge, Jean-Michel Bruyère, Krzystof Wodiczko, Zhang Huan, Liu Jin, Marina Abramovic, Guerrilla Girls, Yinka Shonibare, Mona Hatoum, Shirin Neshat, Fred Forest, Sigalit Landau, Franko B, Sasha Waltz… (T1, Tramway, Glasgow, 10 Feb 2008, 14.00 – 15.00).Futurism

Artist / Author Adrien Sina
Reference D1099
Date 2008
Type DVD

Keywords

Similar items

Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Taking Receipts: A Log of Aggression for People of Color

Artist/Author: Aram Han Sifuentes, Ishita Dharap | Reference: P4227 | Type: Publication

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

Exercises For Solidarity As Performance Art

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Stop. Rewind. Replay. - Performance, police training and mental health crisis response

Artist/Author: Natalie Alvarez | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A918 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75

 

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Project Nationalism and Theatre in Contemporary India

Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

Re Wild(e)ing Queer Performance

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Unframing Photography : Performing the Image to See Otherwise

Artist/Author: Manuel Vason | Editor: Alessandro Simari | Reference: P4211 | ISBN: 978-1-8380229-9-0 | Type: Publication

Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).

Common Salt

Artist/Author: Sheila Ghelani, Sue Palmer | Editor: Sheila Ghelani, Sue Palmer | Reference: P4209 | ISBN: 978183802296 | Type: Publication

Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.

In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.

This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.

Common Salt is designed by John Hunter (aka RULER) and published by LADA.

The Island Nation

Artist/Author: Christine Bacon | Reference: P4208 | ISBN: 978-1786820662 | Type: Publication

Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.

Derek Jarman's Garden

Artist/Author: Derek Jarman, Howard Sooley | Reference: P4206 | ISBN: 978-0500016565 | Type: Publication

This book is Derek Jarman’s own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden’s complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman’s life in Dungeness: walking, weeding, watering, or just enjoying life.